This image has a double meaning.  Know what it is?

I told a coworker one of my ex-students had found a passion for freerunning. He turned to me, crinkled his brow, and said, “You can’t make a living doing that.”

I turned to him, crinkled my brow, and asked, “What if Tony Hawk came up to you and said he was going to make it big as a skateboarder. What would you say then?”

My coworker’s response was interesting but represents the sentiment of most people. Would you say something like this?  “I’d tell him that the chances of making any living in that is very small. Maybe 5 out of 1000 people would make it,” he said.

I don’t know where he got that statistic, but his point was simple. There’s so many people who’d want to make it in skateboarding that the chances are close to impossible.

The average human has one breast and one testicle.  –Des McHale

I told him that statistics mean nothing, that any reliance on those lies is a reliance on your ownlimitation.

He then countered with a really good counter. So good was his counter that I had to think hard in my counter to counter his counter. Are we counting how many times I used counter?

“Tony Hawk was lucky,” he said.

I think if he said that to Hawk, he’d slap him. Hell. I’d slap him.

To say anyone is lucky does two things. One, the skill and hard work people put into their success means nothing. Two, people are powerless to live their lives. Take what you get, cuz you ain’t gonna get any better.

To accomplish anything in life worth having, a person needs to take the first step. And many times it requires a sense of courage in the face of failure. There was a lot of talk in the nineties to the turn of the century about the fear of success. But that took away from the very real fear of failure.

Torture numbers, and they’ll confess to anything.  –Gregg Easterbrook

And when you rely on statistics, which can be manipulated to represent anything that anyone wants, you give your power away to live your life the way you want.

This is the basic choice of my hero’s journey in my book. Does he let someone else determine his life and the lives of his province? Or does he choose to fight for a life of freedom?

Ultimately, we all have to choose. Too often I see people choosing the “easy” way out, like relying on stats so they don’t have to go out and follow their passions. Follow your passions, for they may lead to great things.

Say you were standing with one foot in the oven and one foot in an ice bucket.  According to the percentage people, you should be perfectly comfortable.  –Bobby Bragan, 1963

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Animal behavior often explains some of the odd things, sometimes called sins, that we humans portray.

When a father kills his wive and children, when a woman cheats on her man, when a boy goes to strange lengths to show a fifth grade girl he likes her can come from animalistic behavior. Thanks, Darwin.

We see all of this in the animal world.

Today I was eating at a ramen house and saw a group of young Asian boys hanging outside. One of them wore his sunglasses backwards, shading the back if his neck from the hot afternoon sun. He must have said something funny. Because one of his friends started laughing, screaming almost, slapping his hands together above his head. Sound familiar?

Is this important in story telling?

In my currentEpisode,my character is faced with an opportunity to prove his innocence. He has a choice. Prove it with dignity or with violence. Why the two opposite choices? If you’vereadwhat he’s been through, then you’ll undersand why he could choose violence.

Sometimes in life we don’t see how our behaviors can originate from our innate animal behavior.  If we are closest to our chimpanzee cousins, then how can we deny the strange behavior that some people exhibit?  Do I agree with it?  Not all the time.  But as story tellers, we should allow for some raucous action.

One that comes to mind is Hermione punching Draco in the nose in the third Potter book.  I thought that scene was right on.  A bigoist taunting someone should get their nose punched in.  Not because it was right.  Because that kind of behavior would elicit another.  Cause and effect.

I once had a student who was constantly bullied by another boy who didn’t respect my student’s ethnic heritage.  The bully called him obscene names.  My student asked him to stop and even avoided him.  But the bully looked for him like  a shark.  Heckling my student.  Barraging him with physical threats.  So my studentslappedhim.  Hard.

That bully never bullied him again.

The alpha male was now replaced by another.

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But there’s a problem.

If you’ve ever looked at an x-ray of a hand balled into a fist, it looks like a bag of bones.  Literally.  What happens when you throw that bag of bones into something hard like a skull?  Bones break, splinter, shatter.  Professional fighters like those seen in the UFC have hands broken all the time.  And they’re skilled fighters who not only practice the correct way to punch from different angles and situations, but they do this an average of six hours a day, five days a week.

Now, the traditional martial arts instructor is asking a person off the street, who practices maybe an hour a day, to strike with a bag of bones.  Common!

I’d talked to a true kung fu master, who practiced iron body training, used to specialize in breaking skulls with a single punch.  He said something really interesting.  He was instructing a student who was about five feet tall.  He told her that her striking range was inside her attacker’s striking range.  No four foot person is going to attack her.  The master taught to use slaps to work your way inside, then use elbows, knees, gouges, etc.

Slaps.

There was a scene in Tombstone where Kurt Russel’s character, Wyatt Earp, confronted a card dealer who made trouble for the saloon.  As the card dealer was threatening to do something, Kurt–we’re on a first name basis–slapped him.  It was one of the coolest scenes in a western.  Kurt slapped him again and again.

Slaps align the bones in your hand.  Because of this, breakage is unlikely.  And if you think a slap doesn’t hurt or is sissy, ask anyone to slap you hard and tell me if it just tickles.  Accuracy is still required, but not as much as a punch.  You want to be effective with a punch, you gotta be totally accurate.

Slaps also take little skill.  You can slap someone with bad form, and it’d still hurt.  Punch someone with bad form, and all you’ve done is push them.  Another strike that takes little skill.

In my book, my character have claws.  So I had to find creative and interesting ways of striking and fighting because the punch was taken out of the equation.  Ask any woman who has long nails make a fist and punch.

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